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Art Print Poster Woman Holding a Pipe Kitagawa Utamaro
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Woman Holding a Pipe Kitagawa Utamaro Poster 20X30 Art Print
Item Id:SCO00169P
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Description
Woman Holding a Pipe
Kitagawa Utamaro - ca. 1803-1804
One of the prints in the series "Five Physiognomies of Beauties" (Bijingo-menso)
Description of Original: Woodblock print (nishiki-e); ink and color on paper
38.6 x 26 cm (15 3/16 x 10 1/4 in.)
Type: Ukiyo-e
Location: Museum of Fine Arts, Boston - Not on view
Kitagawa Utamaro ca. 1753 – 1806
A Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). His name was romanized archaically as Outamaro. He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
His work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade. The reference to the "Japanese influence" among these artists often refers to the work of Utamaro.
Utamaro produced over two thousand prints during his working career, along with a number of paintings, surimono, as well as many illustrated books, including over thirty shunga books, albums, and related publications. Among his best known works are the series Ten Studies in Female Physiognomy; A Collection of Reigning Beauties; Great Love Themes of Classical Poetry (sometimes called Women in Love containing individual prints such as Revealed Love and Pensive Love); and Twelve Hours in the Pleasure Quarters.
He alone, of his contemporary ukiyo-e artists, achieved a national reputation during his lifetime. His sensuous female beauties generally are considered the finest and most evocative bijinga in all of ukiyo-e. He succeeded in capturing subtle aspects of personality and transient moods of women of all classes, ages, and circumstances. His reputation has remained undiminished since; his work is known worldwide, and he is generally regarded as one of the half-dozen greatest ukiyo-e artists of all time.
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